------------------------------------------ VOLUME 60, sent March 28, 1997 (Two will be sent today, yet again!) Topics in this issue: 1. Re: VH1 Honors Concert 2. Speedy Delivery, and VH1 Concert 3. Mozambique and Some Kinda Woman 4. VH1 Improving 5. Re: Locked out of the garage, and Collaborations 6. Re: VH1 7. New Traffic Boot! 8. Misc. 9. SW and basketball 10. Misheard lyric 11. Bootlegs & Stuff 12. Re: Bob Seger ------------------------------------------ 1*1*1*1*1*1*1*1*1*1*1*1*1 From: LoudnCraig@aol.com Date: Tue, 18 Mar 1997 03:33:48 -0500 (EST) Subject: Re: VH1 Honors Concert The following are rumors I heard while waiting in line at Universal Amp. ticket office & are only rumors: the VH1 Honors concert will include James Taylor, Sting and I even heard Stevie Wonder (but personally I think someone heard that wrong and really just heard Steve Winwood). Also last year the concert was edited down after the fact to air on VH1 to fit into a time slot of an hour and a half including commercials and we should expect the same this year. The main star is supposed to be the one formerly known as Prince. Craig [It's since been confirmed that Wonder *will* appear at the concert. -BG] 2*2*2*2*2*2*2*2*2*2*2*2*2 From: "Les Jacobson"Date: Wed, 19 Mar 1997 15:38:40 -0500 Subject: Speedy Delivery, and VH1 Concert Wow, was I impressed to get SP59 this afternoon with my posting from earlier today included! I'm so glad you were able to use it right away. Isn't the news about the April 11 concert broadcast awesome? I get so excited when Steve resurfaces (every few years) from his self-imposed isolation and starts appearing in varied and unusual settings. But this season seems more encouraging than ever, with a broader variety of musicians and venues. Obviously all this activity presages an album and tour, which is wonderful news in itself, but beyond that his increased visibility strengthens the general recognition of his talent and encourages other musicians (especially young ones) to want to play with him. So many of the younger musicians are unaware of his performing /songwriting talent, and it's through them that you reach the younger generation. For example, I wouldn't think there's too much overlap between SW and Prince fans; hopefully that changes April 11th. In general, the more often and the more diverse the venues we see Steve in, the better for his music and his fans. Hey, I went line dancing to Cajun music in "Nawlins." It was the second best part of the trip. The best part was when the guy from VH1 told me about the April 11 concert! Les 3*3*3*3*3*3*3*3*3*3*3*3*3 From: "Gabb, Anthony A" Subject: Mozambique and Some Kinda Woman Date: Thu, 20 Mar 1997 10:09:35 +1100 Les wrote: " Far From Home, while it was enjoyable in many aspects, suffered from that limitation, particularly songs like Mozambique and Some Kinda Woman." I must say that I find Mozambique one of the best songs on the Far From Home album. I agree that Some Kinda Woman lacks something. I noticed in Vol. 59 that the CD single contained a Tom Lord Algae version with electric guitar - maybe that's it - I also think getting in a real saxophonist would have given the song more life rather than using a synthesized one (maybe woodwinds is the next instrument grouping SW will master?!). Getting back to Mozambique it is an excellent piece of work and instrumental only. While I think SW has a fantastic (and unique) voice, I really like the instrumental work I have heard from Traffic. Specifically Glad is probably close to my favourite Traffic piece. From my point of view I'm hoping there is another instrumental on the new album. Anthony 4*4*4*4*4*4*4*4*4*4*4*4*4 Date: Thu, 20 Mar 1997 00:20:25 -0600 From: Eric Subject: VH1 Improving Well, I'm reading all of this great information a bit late (I hadn't read any of my SP stuff since late Feb, that will teach me to ignore Bobbie!) so I did miss the concert on VH1, but it sounded like it was wonderful. Mellencamp and Winwood on the same stage, makes an Indiana Boy happy. And then there is the next concert coming up with The Purple One Formerly known as Prince there with Winwood. Good night, are we just going down the list of people I put as artists besides Winwood I had put down on Tribble's page so long ago? If Robinson and the Crowes show up, and maybe some Clapton and Sting as well, I think my life might just get wasted watching copies of the concert over and over. However, I've noticed that VH1 is showing some good stuff. They had Prince's Emancipation concert on, and all this other stuff is coming as well. I moved to the boonies of Nebraska 6 years ago and lost cable. At that time it had been MTV for music and VH1 for bad videos and stand up. It looks like VH1 has actually started to have good stuff on. And it's nice to know that there will be a place where we can see all the Winwood videos when they come out. Who knows, maybe Winwood might show up on MTV even. It could happen, they might have another season of the Real World in London and he could get a spot on it =) Oh well , if he is still influencing the young crop of musicians, it doesn't matter where he actually shows up, his influence will spread into more and more music. Eric 5*5*5*5*5*5*5*5*5*5*5*5*5 From: Redux5@aol.com Date: Thu, 20 Mar 1997 04:04:24 -0500 (EST) Subject: Re: Locked out of the garage, and Collaborations Like a lot of others, I don't have a tape of the VH-1 concert. If someone could send me a copy, I would appreciate it. I also need copies of all the Winwood videos, if someone has those. I don't have anything to trade except good old-fashioned cash. Send me an e-mail if you can help. Thank you. As for collaborations, I agree with the Santana idea. I'd also like to see Steve and Tina Turner sing a duet. He played on one of her albums, but I don't think they've ever sung together. Lindsey Buckingham would be a great collaborator with Steve. Former Living Colour guitarist Vernon Reid has a Hendrix-like ability to get new sounds out of the guitar. Someone experimental like that could help push Steve to keep innovating. On the more wild side of imagination, even Trent Reznor or Flood as a producer. It might not work, but it wouldn't be predictable. Thanks to all for making a great newsletter! Its about the only reason I stay hooked-up. D Griffith 6*6*6*6*6*6*6*6*6*6*6*6*6 From: vankirks@ctrvax.Vanderbilt.Edu Date: Thu, 20 Mar 1997 09:00:33 -0600 Subject: Re: VH1 Why the sudden interest in our lad by the VH1 crowd? They have carefully ignored him for years, and suddenly he's all over the place. I'm glad I like the "Higher Love" video, because that's about all they ever play, when they even bother. Of course, his career has always gone in cycles. I can remember times when I couldn't buy information about what he was doing and when he might have a new record. Thank goodness we've found each other. --Shannon 7*7*7*7*7*7*7*7*7*7*7*7*7 Date: Fri, 21 Mar 1997 10:01:52 -0500 (EST) From: pharaoh@digital.net (Dave Davis) Subject: New Traffic Boot! I was in a store yesterday that had the most bootlegs I have ever seen. They were stacked to the roof! Anyhow, I always check for Traffic or Blind Faith boots - as they are so hard to come by. I usually just look to see if they even have a tab or marker for the groups - which most stores usually don't. But!....this one did! I ended up buying Blind Faith's "Well Alright," with some of the Morgan Rehearsals and Hyde Park stuff. But then I spotted something else, and here's the interesting part, a Traffic boot that I've never heard of. It's not mentioned on the Winwood pages, so maybe you've heard of it. It's called "Paper Rain." It includes 15 tracks, all in mighty good quality, in fact, very good. The first seven tracks make up the Stockholm 9/5/67 concert also on "Heavy Traffic," and "Traffic Jam." There are two tracks from the Fillmore West on 3/14/68, and three from Copenhagen on 5/8/68. Also included is an alternate take of "Hope they never find me here," along with both sides of a Dave Mason solo 45 from 1968. And that rounds out the collection, very nice indeed. So - are you familiar with this one? If so, let me know. They had two copies of both the discs I bought yesterday - I was so amazed. Well, just thought you might know something about this boot. Let me know, and take care. --dave davis 8*8*8*8*8*8*8*8*8*8*8*8*8 From: "Les Jacobson" Date: Fri, 21 Mar 1997 10:28:06 -0500 Subject: Misc. Two recent SW citations: nice photo of him accepting the Record of the Year award in a BMG music club brochure; Muzak version of Back in the High Life heard at a store somewhere recently. Has anyone else corroborated that VH1 is broadcasting the April 10 concert on April 11? My source at the cable show was pretty authoritative (a manager of affiliate marketing), but I'd feel better if someone spotted it at their web site or in a TV listing. Les {I haven't seen it mentioned anywhere yet; if any Subscriber does, write us! - BG] 9*9*9*9*9*9*9*9*9*9*9*9*9 From: "BobbieG." Date: Sun, 23 Mar 1997 00:02:55 -0700 Subject: SW and basketball Many of you may be aware that in the US we are now experiencing something called 'March Madness'. This is the annual college basketball tournament. Sixty-four teams compete, being eliminated as they lose, until finally one team is undefeated. Today they held the first 2 games for the Elite Eight. Imagine my surprise when "Gimme Some Lovin'" began to play!! They had 'choreographed' stock footage to match the lyrics ('so glad we made it' accompanied a slam dunk, 'gimme some lovin'' accompanied a coach and player hugging) and it was so fun! I'm glad that SW gets this kind of recognition. I've noticed that his music is sometimes used during TV breaks during the Olympics, but AFAIK no athlete has used any. Wouldn't it be great next year in Nagano if an ice-skater would use "There's a River"? Bobbie 10*10*10*10*10*10*10*10*10 From: Operanut@aol.com Date: Tue, 25 Mar 1997 15:57:26 -0500 (EST) Subject: Misheard lyric Heelllllp!!!! Dumb question department: On "Vacant Chair" which I have on the compilation tape "Chronicles", what is the line repeated many times at the end? It sounds like "a cool sip of menthe", "acute sentimental" or something. They don't put lyrics on nice big record sleeves anymore which is aggravating, and Steve slurs his words sometimes, so I don't know what he is saying? You probably know this one and it's probably crystal - clear to you. BTW, I have been a court reporter for 20 years, which means I made my living listening to people talk and taking it down in shorthand, but this one has me baffled. Thanks, Sharon From: Self To: Operanut@aol.com Subject: Re: Misheard lyric Date: Tue, 25 Mar 1997 16:56:47 -0700 Hey, Sharon, > You probably know this one and it's probably crystal - clear to > you. LOL!! Yes, I know what it is, and yes, it's crystal clear, but only to people who speak Swahili. The phrase is "O-ku Nsu-kun No-ko", and it means "The dead are weeping for the dead" which he sings in English just prior to starting the African chant. Your reputation as a court reporter is intact! Whew! Bobbie [Anybody else got a misheard lyric they'd like to share? One of my friends thought the line was 'love stalk of high heeled boys', which is fairly obscene if you think about it. -BG] 11*11*11*11*11*11*11*11*11 Date: Tue, 25 Mar 1997 22:08:02 -0500 From: Guy Subject: Bootlegs & Stuff Have a bootleg of Traffic from 73 @ Fort Worth, Texas after the band finishes Tragic Magic, CW (don't know for sure) says "don't ever touch that stuff tragic magic". Hmmmmm wonder what he had in mind? Unfortunately it seems he did! This whole drug thing seems to miss the point. Just about anybody in the music biz in the 60s experimented to one degree or another, but if SW was a drug casualty as Rolling Stone once said, it's hard to imagine him being as vital as he still is. Obviously those days are long over. The SW of today is a consummate pro - a musician of the first rank! However stage presence has never been one of his fortes. Great chops yes, interacting with an audience and dialog always seem painfully difficult for him. Well, nobody is perfect, lets enjoy his musicianship and take the rest as it comes. One other interesting bootleg is from the 1970 Fillmore concerts. SW introduces Can't Find My Way Home and a heckler shouts that's a Blind Faith song, not Traffic. SW, at a loss for words ,mumbles and carries on anyway, when the song's finished the audience is silent. I always wondered why SW didn't perform the song more often. Perhaps some bad memories? Can you classify Traffic as a Rock group? Not that you have to classify their music as anything, but in general I believe that it has much more in common with jazz, especially the 1970-74 bands. That was one of the things that first attracted me was the different flavors from mere run of the mill rock groups! Waiting impatiently for the new recording. Guy 12*12*12*12*12*12*12*12*12*12 From: ASchulberg@aol.com Date: Tue, 25 Mar 1997 22:47:57 -0500 (EST) Subject: Re: Bob Seger In a message dated 97-03-04 10:56:17 EST, you write: << I was putting on three singles recorded by Bob Seger on the Cameo- Parkway label, back when he was still mostly a local phenomenon. (For my money, by the way, they're better than just about everything he did when he hit it big!) >> The "Mongrel" album was a monster! Is that available on CD? Arnie ------------------------------------------ END OF SMILING PHASES, VOL 60